Alexandre Veillon has long questioned the constant production of new objects, preferring instead to extend the life of what already exists. With Let the Dog Out, he repurposes an 1840 coffee table by replacing its original legs with four articulated computer arms, polished metal joints, chains and exposed mechanisms. The result is a hybrid creature that feels poised between rest and sudden movement.

Raphaël Flipo

Veillon describes the piece as a meeting of two eras that should never have crossed paths. The refined wooden tabletop, with its irregular silhouette and warm historical finish, represents the delicacy of nineteenth-century furniture. Beneath it, the industrial computer arms introduce the mechanical brutality of the present. The dog form emerged instinctively as the connecting figure, an almost primitive creature that appears "ready to leap out of its own time", says the designer. The table becomes a dog, or perhaps the dog becomes a table. Either way, the object refuses to sit quietly in a room.

Raphaël Flipo

This work marks the first chapter in a planned series of hybrid creatures. By grafting contemporary hardware onto an antique surface, Veillon creates more than functional furniture. He builds a visual conversation about continuity, reuse and the unexpected lives objects can still lead. Let the Dog Out stands as both practical design and quiet provocation, inviting viewers to reconsider the boundaries between past craftsmanship and present technology.